THE RIVER
WHAT MAKES US WHO AND WHAT WE ARE?
“He who has a why to live can bear almost any how.”  Friedrich Nietzsche
“Let your love be like the misty rains, coming softly, but flooding the river. “Malagasay proverb
“It's  so curious:  one can resist tears and 'behave' very well in the hardest  hours of grief.  But then someone makes you a friendly sign behind a  window, or one notices that a flower that was in bud only yesterday has  suddenly blossomed, or a letter slips from a drawer... and everything  collapses.” Colette
“Hope is that thing with feathers that perches in the soul and sings the tune without the words and never stops... at all.”  Emily Dickinson
 “A  man can no more diminish God's glory by refusing to worship Him than a  lunatic can put out the sun by scribbling the word, 'darkness' on the  walls of his cell." C.S. Lewis
“People do not die  for us immediately, but remain bathed in a sort of aura of life which  bears no relation to true immortality but through which they continue to  occupy our thoughts in the same way as when they were alive.  It is as  though they were traveling abroad.”  Marcel Proust
LIFE, LOVE, LOSS, HOPE, ETERNITY, DEATH
What  a poet does is distill life into words.   That in itself doesn’t seem  hard, but there is a problem.  In order to write a poem, that captures  life, a poet then needs to understand what life is.  I’ve never claimed,  nor will I here, that I am wise.   But wisdom isn’t knowledge, so much,  as it is an awareness of good choices.   I do not have omniscience nor  omnipotence, so I neither know all things, nor can affect all things  through my acts.   But I’ve watched and lived, I‘ve paid the cost of  trying to understand what I do not already, and I’ve fallen many  times.   I’ve been called lazy, foolish, ugly, stupid, and more.  I’ve  been ignored, hated, forgotten, and more.   And from every moment of my  life both good and bad I’ve distilled into my perspective upon life,  love, loss, hope, eternity, and death.
POETRY
I  believe that Poetry is born from the soul.  It is an organic creative  process.   When I have a poem in me, it is as much channeled as it is  written.  I am not suggesting that there is a spirit  guide or such when  I create a poem,  I am someone who believes in many things but not so  much that, but, it is entirely true that when I write a poem what comes  out of me did not come from the logic of my mind.   It existed prior to  my writing it out, and exists afterwards upon the page.
However  organic the process, poetry is in fact logical.   In addition to  evoking emotion and images, it is also very ordered.  While some poets  write using absolutes of rhythm and rhyme, others avoid this.   But the  lack of order in itself creates a pattern, both with and without rhythm  and rhyme it is both recognizable to the human mind for the patterns it  creates, and new and unique for the ways patterns are thrown out and  molded anew.  
I've been told that poetry is akin to jazz  music and see the connection.  But rather, I think it is phrasing words  to create a way to express image and emotion.   The pattern it creates  is valuable and interesting, but is less important than ultimately how  it serves the subject.   Writing about an act of anger or passion in a  quiet rhyme-less way makes the reader feel that the motion or passion is  slowly building.  Writing about such acts in a short, hard, choppy  sound evokes the emotions, and stirs the reader.  
It is  important to be mindful of the patterns and sounds, and I am, but more, I  want to create verisimilitude through my words.  If I am writing of a  warrior's angst I hope to allow the reader to divine the motive and  reasons behind such angst.   I have worked in the field of history, and  political science, and I have a great interest in the myths and legends  that have been the foundations of many of global culture's stories of  morality, and fidelity, and truth.
I am a poet, or, an  artist of the word.  I am not a scientist of the word.   I consider my  words to be important but more so from the subject than the use of  words.  This perhaps marks me as different than many poets.  But I do  love many styles of poetry and the works of many diversely talented  poets.   I am asked often who I write like or am influenced by.   The  two poets I have read most are William Carlos Williams, and Emily  Dickinson.  But while I love their work, I would not suggest that they  are the influences upon my writing.   If I could state an influence it  comes from great teachers, a desire to express, and people who listened  to my words.   I've always learned by doing, and my experiences are  shaped and molded as I do.
Being a Christian I am often  filled with awe towards the Eternal, and am fascinated how we beings of  flesh, finite and soft, respond to crisis, and command.  Our fates and  destinies are intertwined, but we are ultimately responsible solely to  our own sense of morality and honor and our desire to be something.   I  believe that life is good, am mostly happy, but also write from a fear  of the enormity of the truths I am too small to understand.
I  am fascinated by great writers and great poems.   I think that the  greatest poem in history is Beowulf, and I'd suggest that my writing, if  not similar to the style evokes the subject and outlook of that great  poem.   I do not know the writer of that great work, but I owe him a  debt of thanks for inspiring me.
The subjects I write of  are influenced by my outlook of the world and it's history.   Global  culture is a wonderfully diverse and fascinating thing.  It lives and  breathes, and changes and reflects change.   To me writing about the  world we live is a requirement, as is the fantasy tales I tell, and the  personally reflective poems I write.  We live in a world that huge, in a  cosmos that is yawning across the span of possibilities.   I am not a  dreamer, I am not filled with whimsy, but I am amazed by the world, see  it in so many colors, and wish to reflect its grandeur in my work.
People  have told me that they do not “get” poetry.   While I've been told that  my poetry is accessible to non-poetry readers I am content that it  won't reach everybody.   No area of the world of creative arts is able  to guarantee 100% success.  But I want to offer that people who invest  themselves in poetry get the point, understand it, and gain a great deal  by trying.   James Dickey rightfully said that Poetry is highest human  achievement.   It is a wonderful thing, and being a poet is something I  mindfully embrace.  
LOVE AND SORROW, PLEASURE AND PAIN
“Life has taught us that love does not consist in gazing at each other but in looking outward together in the same direction.”
Antoine de Saint-Exupéry, Wind, Sand and Stars, 1939, translated from French by Lewis Galantière
I  write here to speak out loud of things that get written about and  thought about a great deal, but were never really understood by me.   Love, Loss, Joy, Fear, and  Sorrow all manifest themselves in my life,  but until I embraced my being a poet, they were often looked upon and  felt from a distance, almost as an observer rather than participant in  existence.   Love is the great object of our search in life, and yet,  why do I seek it?   It is almost an addiction, coupled by fear of loss  and rejection, I seek acceptance, and embrace it.  But I know it is  likely to be a fleeting thing.   I cannot control others, nor do I wish  to do so, but that aspect of love, being a drama with two actors,  neither knowing if the dialogue from the other will be a good thing or  bad, is nearly irresistible.   The thought that I might be worthy of  love has only been a recent development, and so while I stood and  watched as others did whatever it took to soothe their need for love, I  did not.  I am married.  I have a son.  I am supposed to be content.
“Love  withers under constraints: its very essence is liberty: it is  compatible neither with obedience, jealousy, nor fear: it is there most  pure, perfect, and unlimited where its votaries live in confidence,  equality and unreserve.”
Percy Bysshe Shelley
But  life isn’t always so easy, to say, I am content because I should be.    When I embraced being a poet finally, in 2005 looking down upon the  still form of my brother who had had two heart attacks at the age of 44  (he, BTW, recovered), I realized that things would change.   I realized  that I might have lived ignoring what I am, and die before the moment  was perfect to be.   So I stepped out and decided to be what I was born  and raised to be, a written observer of life, in poetic form.   That  opened doors for me, awakened my soul, and, left me woefully unprepared  to foresee what would happen to me next.  Despite having all that I  needed, I believed that I did not have what I desired.   And in opening  my heart, I began to write love poetry.  In writing love poetry I came  into the orbit of numerous wonderful, but wounded people.  And I saw,  for the first time, that everyone is truly wounded, and that love is the  only thing that soothes our pain.  Being loved comes as the greatest  need, beyond food and drink I say.   Without love there is only pain of  existence.   And without love, there is no purpose.   We exist, but that  is not enough, unless we are redeemed by love.
“Achilles' cursed anger sing, O goddess, that son of Peleus, which started a myriad sufferings for the Achaeans. “ Homer
 How  many times have you been wounded by life?  How many times did the  bleeding never seem that it would stop?  Pain from our soul never stops  bleeding, it never does, because we are not meant to survive, we are  fragile and impermanent.   The concept of being human is often one that  considers life great and fears death when both are worth embracing.  The  human body is covered with skin, is filled with flesh, blood, and  bones, and it is not a durable product.   When you smoke cigarettes they  stain the insides, when you drink alcohol it pickles the liver, when  you eat fatty foods the fat coats your veins and arteries with plaque  that will lead to death.   The things we consider to bring us pleasure  leave marks upon us.  Life is a very good thing, mind you, I do not wish  to die, nor be dead right now.  But I think it is important that we  embrace all the human experience and grow towards understanding who we  are by what  we think about the end.   I also would argue that in order  to live we must examine our own humanity, our past, our future, we need  to taste everything with taste, smell every exotic aroma, and by living,  make our life something bigger than simple survival and existence.  Why  is the issue of embracing death and living life to experience everything  so important?   We are unable to appreciate this existence without  understanding how brief it is in the span of time and the depths and  wonders of  the universe.   If the afterlife exists, and I believe it  does, how do we ascertain what it is, and what do we need to do to get  the best seats?   I am a Christian, albeit when I say Born Again  Christian I do not refer to the social and political concept of that, I  am Green, Socialistic, and view the difference in the world’s people to  be beautiful, not threatening.   I believe in many things about this  world, and have a frame of  reference and moral guideposts in my  acceptance of Christ Jesus.   But even that does not tell me why there  is so much pain, why there is so much misery in the existence here on  earth.   I am wounded by it all and so I wonder how it functions that a  perfect God could have created a world that has become so imperfect.
 “To suffer woes which Hope thinks infinite;
To forgive wrongs darker than death or night;
To defy power which seems omnipotent;
To love, and bear; to hope till Hope creates
From its own wreck the thing it contemplates”
Percy Bysshe Shelley
I  write a good deal of dark poetry.  I do not do so because I am unhappy,  but rather to express the sadness or anger that is within me.    Expressing it through the rage of a poet’s pen, versus violence or  verbal abuse or other criminal actions is a far better response.   This  isn’t to self aggrandize, rather it is to explain that while some people  express their pains of life in a variety of unhealthy ways, poetry  allows me to speak to the woes I face, and feel better for having done  so.   Unlike my epic poetry, and narrative prose, where I invest myself  into a fictional work, my dark poetry reflects my heart, worries, and  even how I might feel should I be in a different circumstance.   Some  people are not able to understand, for whatever reasons, that a poet  takes upon himself or herself, the voice of another at times, not  because we wish to avoid blame, or role play as someone other than our  selves, but to see the world through different eyes and then tell the  world what it is like.   So please, when reading understand, that while  my heart is occasionally broken, my feelings hurt, my soul burdened by  life, in general I am quite happy.   I could use more money, I could use  better health, but overall, I think life is good.   I love my family  and friends, I love my work, I love poetry, and my world, however  dangerous and sad, is still a wonderful place to live.
“Suffering  becomes beautiful when anyone bears great calamities with cheerfulness,  not through insensibility but through greatness of mind.”  Aristotle
Who  am I?   I know who I am, I know how I got here, and I know what I think  is important.  I am a poet, and a poet has to have translucent skin, to  reflect our soul.   A poet must have eyes that see beyond the outside  layers of skin, we have to see the world we live in for what it is.  We  have to have a voice that can explode thunderously or whisper  angelically, on paper.   And we have to care about the world we live  upon, and in.    I grew up in a small town of Wisconsin in the 1960’s  era.   I longed to be touched and held and loved, but learned to keep my  distance.   There was a shockingly huge amount of hurt in life, but  there were also wonders.   When I kissed the woman who became my wife  the first time there was such a rush, when I saw my dad dying in front  of me there was a major blow to my heart, and all the while I watched it  unfold.    Poets are often asked where their words come from, and I  have no doubt some have inspiration, from God or otherwise intangible  sources, they have talents and skills to bring words together and make  them dance, or cry, or they have a subject burning upon their heart that  they pour out through the filter of words and insight.
“Poetry is just the evidence of life.  If your life is burning well, poetry is just the ash.” Leonard Cohen
Publishing and collecting my poems is not without some sadness.  My parents  never saw me succeed.   My father died in 1998 and I made some of my  first steps as a successful adult briefly afterward, and I became a  father myself (of the world’s greatest child), and my dad never saw  that.   I was always a source of trouble for him, he never quite saw me  in victory, but he was my dad, and I love him and miss him.   My mother  lives today, as I write this, in gloriously fine health for an 84 year  old woman, but for Alzheimer's disease which has left her unable to  appreciate, or understand, what I am doing when I write.   I deeply miss  her, despite her remaining presence.
“Poetry heals the wounds inflicted by reason. ” Novalis
And  what should I say to end this?  Death is a good thing?  While we all  wish to live forever, since our bodies decay, not a good thing, but a  necessary thing.  Sadness is worthwhile?  No, I doubt that.   I think  that the reason we experience such pain now, in this existence is that  in the next life, the afterlife so to speak, we should have something to  compare our joy with there, and this life will give that.   I once was  asked if I believed in Capital Punishment and I said no because I  believed in eternal justice, that God would answer the question.   That  person replied that they didn’t believe in God, or anything beyond this  existence, so that was not a soothing answer for them.   But I  absolutely believe that there is far more in the world and beyond it  that we can ever know.  And therefore, all I am asking, is for the  reader of this to consider beyond their own existence, and perhaps by  that, how they might improve their world and outlook.  I believe that  God is good, if also mysterious, and I know we must suffer, for reasons I  do not quite understand. 
"Wretched I lie, dead with desire, pierced through my bones, with the bitter pains the Gods have given me." Archilochus
My poetry is dedicated to all the people in my life who taught me to love,  and gave me love.  My wife Beth, my son Jonathan, my friends Russ,  Michael and Richard, my friends and my family.  All of you made my life  better than it should have ever been, and I am in your debt.
MY BIOGRAPHY  “Dream as if you'll live forever, live as if you'll die today.” James Dean
 It  isn’t hard to say a place and a date, but it is hard to express a  feeling about each place and time from a perspective of its relevance in  my existence.
I was born on October 1, 1963,  in Saint  Louis Park, Minnesota, given up for adoption to a family from Northeast  Minneapolis,  and had one brother, and two Siamese cats.   I remember  very little about it, except for being young and having a hero type  brother.   My dad was a manager of a restaurant, my mom had been an  office management/secretarial worker.   It was a working class  neighborhood, and Northeast still looks much the same, but for the  encroachment of city, and ethnic diversity.  We lived there until  October of 1966.
We moved from there to Port Edwards,  Wisconsin, in 1966 which was a small town, in the middle of the state,  and was part of a paper making center of towns and cities.  My father  managed a foundry, my mother raised two boys.   We lived there until May  of 1978, my brother one year short of graduating, me about to enter  high school.   Life in Port Edwards was good, I know, but for me it was a  cold place, with people interested in status and wealth.   I should  also say, while I wasn’t abused or hurt in anyway, I didn’t have many  friends there either.
Moving to Neillsville Wisconsin in  1978 my family had made many changes, my father changed jobs, my brother  graduated and left for his year of college, my mother worked for a   home for troubled kids, and I adored my new school and friends.   I came  into contact with some fine learning, some wonderful teachers, and my  friends all encouraged me to learn and read and grow, personally.    Without those friends I would never have grown into me, and for their  role in my development,  I am deeply grateful.
In Fall of  1982 I went to a small two year college following graduation, in  Marshfield Wisconsin, where I suffered from depression, loneliness, and  bad grades.  I attempted suicide, I grew desperate to learn who I was,  mentally and spiritually, and I wrote letters to friends, and spent a  great many hours trying to cope with my new reality, of failures, no  friends, and hunger.
I left Wisconsin in 1983 for  university in Duluth Minnesota, thereby starting a decade of education,  friends and spiritual growth.   I met my wife Beth in Duluth, my best  friend Russ, I dealt with people of powerful intellect, and ambitions,  and I saw my life in better perspective.  I believed I was an artist,  who liked history and who should write for a living.  I was wrong, as a  matter of fact, but it was the first time in my life I thought I had an  answer to who I was.
And since graduation from two  universities with History and Political Science degrees, I’ve taught,  worked in a factory, worked in a metal shop, worked as a tutor, and  worked doing even more mind numbing labor.   And I wrote.   I married  Beth, we’ve lived across the US.  In North Carolina, Arizona, North  Dakota, Minnesota, and we’ve had cats, Simone, Mischa, Sophia, and  Katya.     My greatest work is my parenting of my son Jonathan, who was  born in 1998.
I began writing for print considerations and  online in 2000, and I’ve never stopped since then.   I live in Rockford  Minnesota, a small town, and great place for my son to be raised.
MY BIBLIOGRAPHY: 
“Books are the treasured wealth of the world and the fit inheritance of generations and nations.” Henry David Thoreau
A LIFE OF RAVENS author Alex Ness with 27 artists (Sharayah Press)
MYTHIC  MEMORIES author Alex Ness with artist Trent Westbrook
LANCELOT co author Alex Ness, G.F. Evrard, Michael May, and 10 artists (Diminuendo Press)
AMONGST THE RUINS author Alex Ness (Diminuendo Press)
A short story (five pages) in JOSH HOWARD PRESENTS: SASQUATCH (VIPER COMICS)
A short story (five pages) in MYSTERIOUS VISIONS: AFTER HOURS #3 (SPA)
SAVAGE PAST: LIFT HIGH THE RAVEN BANNER with Daniel Mann, An illustrated epic poem.